Twentieth century music; how it developed, how to listen to it.

A new ed., completely rev.. New York, G.P. Putnam's Sons [1947] .

Location Call Number Status Consortium Loan
George Washington
Gelman stacks
ML 197 .B29 1947 Available Request
LIB stacks
ML197 .B29 1947 Request
Mullen Library stacks Music
ML197 .B34 1947 Available Request
Van Ness stacks
ML197 .B29 1947 c.2 Available Request
WRLC Shared Collections Facility
ML197 .B29 1947 Off-site
WRLC Shared Collections Facility
ML197 .B29 1947 Off-site
WRLC Shared Collections Facility
ML197 .B29 1947 c.2 Off-site
Off-Campus Shelving
ML197 .B29 1947 Available Request
Subjects Music
Music -- 20th century -- History and criticism.
Music -- United States -- History and criticism.
Music appreciation.
United States.
Description xiv, 463 pages music 21 cm
Copyright Date [1947]
Notes Includes bibliographical references (pages 423-430).
Summary A discussion of the music of the twentieth century and the trends it is setting.
Contents Latin Americans : sources, nationalism, Villa-Lobos, Chavez, Revueltas, et cetera -- The new aesthetic : effect of war, the machine, phonograph, radio, television, motion pictures, et cetera The new "Americanism" -- Explanation of musical terms -- Bibliography -- Pronouncing glossary of foreign names -- Index.
Schoenberg and his innovations : atonality and twelve tone technique -- Polytonal and atonal ramifications : Neoclassicism, Milhaud, Honegger, Bartok, Spaniards, Poles, et cetera -- Polytonal and atonal ramifications (cont.) : dissonant counterpoint, Gebrauchsmusik, quarter tones, ether music, Hindemith, English composers, Schillinger, et cetera -- Music, as affected by the war : in Germany, Austria, Czechoslovakia, France, England, Poland, Italy, Switzerland, Russia, et cetera -- The new opera : Berg, Hindemith, Weill, Krenek, Honegger, Milhaud, Gruenberg, et cetera -- Jazz and American music : what is jazz? Its influence on Europeans and Americans. Ives, Ruggles, Moore, Piston, Hanson, Gershwin, Thomson, Harris, et cetera -- American composers of the 1900s : Copland, Blitzstein, Schuman, Barber, Gould, Dello Joio, Cage, Diamond, Bernstein, Foss, et cetera.
The art of listening : yesterday and today -- Past innovations and prejudices -- The beginnings of the modern era : Bach and eighteenth century developments -- The classical Viennese era and the Romantic movement : Haydn, Mozart, Beethoven, Schubert, Schumann, Chopin -- Nineteenth century points the way : program music and Postromanticists -- Nationalism based on folk music : Russia, Czechoslovakia, Hungary, Norway, England, Spain, America -- Natioanlism in France : "La Societe Nationale de Musique", Cesar Franck and his followers -- Realism : Richard Strauss -- Breaking down established rules : new scales, melodies, chords, harmonic resources, rhythms, et cetera -- Impressionistic methods : Debussy and his influence -- Impressionism and the twentieth century renaissance : England, Poland, Hungary, Spain, Italy, America, et cetera -- Scriabin, the mystic impressionist -- Sibelius, symphonist and nationalist -- Stravinsky : the musical barometer.
Genre Criticism, interpretation, etc.
Geographic Area United States
Network Numbers (OCoLC)599437
WorldCat Search OCLC WorldCat
WorldCat Identities Bauer, Marion, 1882-1955.
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