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Haydn studies : proceedings of the International Haydn Conference, Washington, D.C., 1975 / edited by Jens Peter Larsen, Howard Serwer, James Webster.

; Larsen, Jens Peter, 1902-1988 ; Serwer, Howard ; Webster, James, 1942- ; American Musicological Society
1st ed.. New York : W.W. Norton, [1981] .
ISBN 0393951499, 9780393951493

Location Call Number Status Consortium Loan
George Washington
Gelman stacks
ML 36 .I59593 1975 (show me on map) Available Request
LIB stacks
ML410.H4 I5 1975a Available Request
Mullen Library stacks Music
ML36 .I59593 1975 Available Request
George Mason
Fenwick Music - Books
ML36 .I59593 1975 Available Request
Founders Library stacks
ML36 I59593 1975 Available Request
Founders Library stacks
ML36 I59593 1975 Available Request
Other Authors Larsen, Jens Peter, 1902-1988.
Serwer, Howard.
Webster, James, 1942-
American Musicological Society.
Subjects Haydn, Joseph, 1732-1809
Haydn, Joseph, 1732-1809 -- Congresses.
Haydn, Joseph, 1732-1809 -- Congrès.
Description xvii, 590 pages : music ; 24 cm
Copyright Date [1981]
Notes At head of title: American Musicological Society.
Library's copy does not have American Musicological Society at head of title. WaU
Includes bibliographical references and index.
Contents pt. 1. Public lectures -- part 2. Documentation -- Background, biography, iconography -- Repertoire and ensemble -- Personalities in Haydn's circle -- Problems in the documentation of Haydn's life -- Contemporary accounts, diaries, and journals -- Source problems, authenticity and chronology, list of works -- Authenticity -- Related versions of the same work -- Chronology -- Problems of authenticity "Opus 3" -- Problems of Authenticity: the Raigern keyboard sonatas -- Authenticity, chronology, source studies, editorial practice -- Historical context; Haydn's relations to others -- pt. 3. Performance -- Performance problems in Haydn's music: historical performance conditions and traditions -- Orchestral (symphonic) sonority -- The role of improvisation in Haydn performance -- Context and function in the performance of Haydn's works -- Workshop 1: Church music -- Problems with performing forces -- Problems in interpretation -- Workshop 2: Keyboard sonatas -- Instruments -- Sonata in G major, Hob. XVI:40 (ChL. 54), First movement: comparative performances and discussion -- Workshop 3: String quartets -- Problems of instruments -- Op. 20, no. 2 in C major: comparative performances and discussion -- Problems in the sources -- Problems of scoring -- Problems in Recording -- Workshop 4: The Paris symphonies: Symphony no. 85 in B-flat major ("La Reine") -- Musical and historical context -- Performance problems -- Workshop 5: Opera -- Haydn as an opera composer -- Problems of production and performance practice -- Workshop 6: Piano trios -- Problems of a present-day Haydn performance -- The question of a "relevant" modern performance -- Specific problems of performance style -- Free papers -- pt. 4. Form and style -- "Classical period" and "classical style" in Eighteenth century music -- Vienna and Europe: musical currents in the middle of the Eighteenth century -- Changing concepts of musical form and their relationship to changing approaches to Haydn's music -- Melodic style traditions and Haydn's personal style -- Turning points in Haydn's stylistic developement -- Haydn and Mozart -- Mutual influence: primarily in chamber music -- Keyboard music -- Free papers: style -- Free papers: form and analysis.
Genre Conference proceedings.
Network Numbers (OCoLC)6356358
WorldCat Search OCLC WorldCat


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