From Mankind to Marlowe; growth of structure in the popular drama of Tudor England.

Cambridge, Harvard University Press, 1962.

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Subjects England.
English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism.
English drama -- Early modern and Elizabethan.
Moralités anglaises -- Histoire et critique.
Moralities, English -- History and criticism.
Moralities, English.
Theater -- England -- History -- 16th century.
Théâtre -- Grande-Bretagne -- Histoire.
Théâtre anglais -- 16e siècle -- Histoire et critique.
Description viii, 310 pages 25 cm
Copyright Date 1962.
Notes Includes bibliographical references.
Contents Introduction: from Mankind to Marlowe -- Criteria for a popular repertory -- Auspices for the Élite drama -- The popular canon -- "Four men and a boy" -- The tradition of versatility -- Doubling patterns in the 1580's and 1590's -- The origins of popular dramatic structure -- The pioneering contributions of Bale and Skelton -- The intermediate morality: repetition, expansion, and elaboration -- Dual protagonists and a formula for Homiletic tragedy -- The transition to chronicle -- The transition to romance -- Tamburlaine the Great -- The Jew of Malta -- Edward II -- The Conflict of conscience and Doctor Faustus -- Appendix: plays "Offered for acting."
Genre Criticism, interpretation, etc.
Geographic Area England
Network Numbers (OCoLC)307097
WorldCat Search OCLC WorldCat
WorldCat Identities Bevington, David M.
Publication timeline, list of works, related names and subjects and other information


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