Methods and materials of painting of the great schools and masters.


New York, Dover Publications [1960] .
ISBN 0486207188

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Standard Title Materials for a history of oil painting
Subjects Painting -- History.
Painting.
Peinture -- Histoire.
Description 2 volumes 21 cm
Copyright Date [1960]
Notes "Unabridged and unaltered republication of the first edition ... published ... in 1847 under the title: Materials for a history of oil painting."
Includes index.
Also issued online.
Summary Unabridged and unaltered republication of the first edition originally published in 1847, under title "Materials for a history of oil painting."
Contents v. 1. Connexion between the early history of painting and that of medicine -- The Ancients -- Earliest practice of oil painting -- Oil painting during the latter part of the fourteenth century ; Note on a Venetian manuscript in the British museum -- Practice of painting generally during the fourteenth century ; Note on a German manuscript in the public library at Strassburg -- Fresco painting and wax painting during the fourteenth century ; Note on some early specimens on English art -- Vasari's account of the method of oil painting introduced by Van Eyck ; Note on the introduction of oil painting into Italy -- Examination of Vasari's statements respecting the invention of Van Eyck -- Oleo-resinous vehicles -- Preparation of oils -- Methods of the Flemish school considered generally ; Note on the modes of strengthening Panels by Ledges or Battens -- Preparation of colours ; Note on the use of triptychs, andc. ; Note on the varnish prepared from the Olio d' Abezzo -- Practice of later masters ; Extracts from notes by Sir Joshua Reynolds ; Note on the Mayerne manuscript in the British Museum -- Additions and corrections ; Scriptural and historical subjects painted in England during the Reign of Henry III -- volume 2. Folco Portinari and his descendants, Hospital of S. Maria Nuova, Ancient Florentine academy of painters, Antonello da Messina, The Pollaiuoli ; Note on two copies of an inedited manuscript by Antonio Filarete -- Recapitulation of characteristics of early Flemish school, The varnish of tempera pictures, Improvements by Van Eyck, mixture of varnish with colours, Methods of painting -- Lorenzo di Credi, Leonardo da Vinci, Pietro Perugino, Francesco Francia -- Raphael, Fra Bartolommeo, Mariotto Albertinelli, Ridolfo Ghirlandajo, Grancacci, Bugiardini, Andrea del Sarto -- Correggio -- Venetian methods -- Professional essays: Colour, light, shade, Correggio, and c -- Necessity for definitions -- Negative lights and shades -- Natural harmonies -- Natural contrasts -- Finish -- Space -- Effect -- Chiaroscuro preparations, their effect, duly managed, of producing depth and richness -- Chiaroscuro preparations, transparent brown -- Depth of light tints -- Warm shadows -- Treatment of green and blue -- Oiling out -- Vehicle for shadows -- Transparent painting -- Depth; transparent medium -- Cool lights on red -- Oil painting -- Macchia -- Venetian process -- Bellini thinned his vehicle with linseed oil -- Warm outlines and shadows -- Neutral tints in white and other draperies -- Toning, to mitigate partial or general crudeness -- Texture; Contract of surface in scumbling -- Scumbling and retouching -- Crispness and sharpness before toning -- Glazing system -- Life in inanimate things -- Palette knife -- The gem-like quality -- Facility of execution -- Remedies -- How to compose and paint a single head -- On subjects for painting -- Means and end of art.
Genre History.
Network Numbers (OCoLC)517899
WorldCat Search OCLC WorldCat
WorldCat Identities Eastlake, Charles Lock, Sir, 1793-1865.
Publication timeline, list of works, related names and subjects and other information

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