Impressionism and post-impressionism, 1874-1904; sources and documents.


Englewood Cliffs, N.J., Prentice-Hall [1966] .

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Subjects Art - 19e siècle.
Art -- 19e siècle.
Art, Modern -- 19th century -- Sources.
Art, Modern.
Impressionism (Art)
Impressionismus.
Impressionnisme (Art)
Impressionnisme (art)
Nachimpressionismus.
Post-impressionism (Art)
Postimpressionnisme (Art)
Quelle.
Series Sources and documents in the history of art series.
Description ix, 222 pages facsimile 23 cm.
Copyright Date [1966]
Notes Includes bibliographical references.
Contents Impressionism: critical views -- Edmond Duranty: 1833-1880 -- The new painting: concerning the group of artists exhibiting at the Durand-Ruel Galleries -- Théodore Duret: 1838-1927 -- The Impressionist painters -- Louis Leroy: 1812-1885 -- A satiric review of the First Impressionistic Exhibition -- Jules Laforgue: 1860-1887 -- Diego Martelli: 1833-1896 -- A lecture on the Impressionists -- Impressionism: major masters -- Claude Monet: 1840-1926 -- Monet viewed by Théodore Duret -- Letters to Bazille -- Letters to Gustave Feffroy -- Lilla Cabot Perry: Claude Monet's ideas about art -- An interview with the artist in 1900 -- Monet in his old age -- Pierre-Auguste Renoir: 1841-1919 -- The Society of Irregularists -- Renoir's aphorisms -- Renoir's palette -- Letters to Durand-Ruel -- Camille Pissarro: 1830-1903 -- Letter to Durand-Ruel -- Two letters to Lucien -- Abandonment of Divisionism -- Pissarro's advice to a young artist -- Edgar Degas: 1834-1917 -- Degas' notebooks -- Degas viewed by Paul Valéry -- A letter to James Tissot -- Two sonnets by Degas -- Auguste Rodin: 1840-1917 -- Art and nature -- On art and artists -- Rainer Maria Rilke: on Rodin -- Medardo Rosso: 1858-1928 -- About Impressionism in sculpture -- After Impressionism: Cézanne and the Neo-Impressionists -- Paul Cézanne: 1839-1906 -- Cézanne's letters -- Zola's dedication of "Mon Salon" to Cézanne -- Neo-Impressionism -- Félix Fénéon: 1861-1944 -- The Impressionists in 1886 (Eighth Impressionist Exhibition) -- Neo-Impressionism -- Georges Seurat: 1859-1891 -- Letter to Maurice Beaubourg -- Reflections on painting: Seurat's transcription of a passage from Chevreul's "De la loi du contraste simultané des couleurs" -- Paul Signac: 1863-1935 -- From Eugène Delacroix to Neo-Impressionism -- Signac and anarchism -- Excerpts from Paul Signac's journal: 1894-1899 -- After Impressionism: Van Gogh, Gauguin, Symbolists, and Synthesists -- Vincent Van Gogh: 1853-1890 -- G.-Albert Aurier: "The isolated ones: Vincent Van Gogh" -- Van Gogh's letters -- Paul Gauguin: 1848-1903 -- Letter to Emile Schuffenecker -- Letter to Emile Bernard -- Notes on painting -- A fable about art form Gauguin's "Intimate journals" -- A letter to his wife about "The spirit of the dead watches" -- Correspondence between Gauguin and August Strindberg -- A letter to Daniel de Monfreid -- André Fontainas' review of Gauguin's works and the artist's reply -- The Nabis -- Paul Sérusier: 1865-1927 -- A letter to Maurice Denis from Le Pouldu -- The ABC of painting -- Maurice Denis: 1870-1943: a definition of Neo-Traditionism -- Odilon Redon: 1840-1916 -- "To myself: journal (1867-1915)" -- Gustave Moreau: 1824-1898 -- Moreau's statements on art -- Joris-Karl Juysmans on the art of Gustave Moreau -- Edvard Munch: 1863-1944 -- Munch on the genesis of the "Frieze of Life" -- From a brochure on the "Frieze of Life," Oslo, 1918 -- James Ensor: 1860-1949 -- Three weeks at the Academy: episodic monologue -- Relections on art.
Genre Sources.
Network Numbers (OCoLC)167532
WorldCat Search OCLC WorldCat
WorldCat Identities Nochlin, Linda,
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