The emergence of film art; the evolution and development of the motion picture as an art, from 1900 to the present.


New York, Hopkinson and Blake [1969] .

Location Call Number Status Consortium Loan
George Washington
Gelman stacks
PN 1994 .J24 Available Request
Mt. Vernon campus stacks
PN1994 .J24 Available Request
American
LIB stacks
PN1994 .J24 Available Request
Catholic
Mullen Library stacks
PN1994.J17 E5 Available Request
UDC
Van Ness stacks
PN1994 .J24 Request
Gallaudet
UNIV General stacks
791.43 J3e, 1969 Available Request
George Mason
Fenwick stacks
PN1994 .J24 Available Request
Marymount
Marymount Main stacks
PN1994 .J17 1969 Available Request
Subjects Cinéma -- Histoire.
Film.
Kunst.
Motion pictures.
Description 453 pages illustrations 25 cm
Copyright Date [1969]
©1969
Notes Includes bibliographical references (pages 438-439).
Also issued online.
Contents Part one : The silent film (1900-1930) -- Introduction : A new medium, a new art -- George Melies : artificially arranged scenes ; Edwin S. Porter and the editing principle ; D.W. Griffith : new discoveries / Lewis Jacobs -- The birth of a nation : the technique and its influence / Seymour Stern -- D.W. Griffith : social crusader / Richard Watts, Jr. -- The German film / Paul Rotha -- The French avant-garde / George Morrison -- The passion of Jeanne D'Arc / Harry Alan Potamkin -- Eisenstein, Pudovkin and others / Dwight Macdonald -- Tho composition of Potemkin / Sergei Eisenstein -- Part two : The sound and color film (1930-1950) -- The sound film / Alberto Cavalcanti -- Camera and microphone / John Howard Lawson -- The composer and the motion picture / Hanns Eisler -- The problem of color / Robert Edmond Jones -- The man who was colorblind / Len Lye -- Nanook / Robert Flaherty -- The films of René Clair / Maurice Bardeche and Robert Brasillach -- The method of John Ford / Lindsay Anderson -- The animated cartoon and Walt Disney / William Kozlenko -- Cartoons as art / Aline Saarinen -- Movies without a camara / Harold Benson -- The study of a colossus : Citizen Kane / Peter Cowie -- The course of Italian neorealism / Arthur Knight -- Part three : The creative present (1950- ) -- Why I make movies / Ingmar Bergman -- The literary sophistication of François Truffaut / Michael Klein -- A movie is a movie is a movie is a / Andrew Sarris -- Movie brutalists / Pauline Kael -- Dostoevsky with a Japanese camera / Donald Richie -- Director of enigmas : Alain Resnais / Eugene Archer -- Fellini's double city / Eric Rhode -- The event and the image / Michelangelo Antonioni -- Shape around a black point / Geoffrey Nowell-Smith -- Richard Lester / Philip French -- Saul Bass / Raymond Gid -- Cinema of common sense : a view of cinéma-vérité / Colin Young -- The auteur theory re-examined / Donald E. Staples -- Free cinema and the New Wave / Jonas Mekas -- Film happenings / Jonas Mekas -- The film generation / Stanley Kauffmann.
Network Numbers (OCoLC)61917
(OCoLC)ocm00061917
WorldCat Search OCLC WorldCat
WorldCat Identities Jacobs, Lewis,
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