From Mankind to Marlowe; growth of structure in the popular drama of Tudor England.


Cambridge, Harvard University Press, 1962.

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Subjects England.
Englisch.
English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism.
English drama -- Early modern and Elizabethan.
Moralités anglaises -- Histoire et critique.
Moralities, English -- History and criticism.
Moralities, English.
Theater -- England -- History -- 16th century.
Theater.
Théâtre -- Grande-Bretagne -- Histoire.
Théâtre anglais -- 16e siècle -- Histoire et critique.
Volksstück.
Description viii, 310 pages 25 cm
Copyright Date 1962.
Notes Includes bibliographical references.
Contents Introduction: from Mankind to Marlowe -- Criteria for a popular repertory -- Auspices for the Élite drama -- The popular canon -- "Four men and a boy" -- The tradition of versatility -- Doubling patterns in the 1580's and 1590's -- The origins of popular dramatic structure -- The pioneering contributions of Bale and Skelton -- The intermediate morality: repetition, expansion, and elaboration -- Dual protagonists and a formula for Homiletic tragedy -- The transition to chronicle -- The transition to romance -- Tamburlaine the Great -- The Jew of Malta -- Edward II -- The Conflict of conscience and Doctor Faustus -- Appendix: plays "Offered for acting."
Genre Criticism, interpretation, etc.
History.
Geographic Area England
Network Numbers (OCoLC)307097
(OCoLC)ocm00307097
WorldCat Search OCLC WorldCat
WorldCat Identities Bevington, David M.
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